- Sep 27, 2005
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By MICHAEL KAMBER and TIM ARANGO
Published: July 26, 2008
BAGHDAD ? The case of a freelance photographer in Iraq who was barred from covering the Marines after he posted photos on the Internet of several of them dead has underscored what some journalists say is a growing effort by the American military to control graphic images from the war.
JAN. 18, 2005 An Iraqi girl after her parents were killed by American gunfire in Tal Afar. More Photos ?
Zoriah Miller, the photographer who took images of marines killed in a June 26 suicide attack and posted them on his Web site, was subsequently forbidden to work in Marine Corps-controlled areas of the country. Maj. Gen. John Kelly, the Marine commander in Iraq, is now seeking to have Mr. Miller barred from all United States military facilities throughout the world. Mr. Miller has since left Iraq.
If the conflict in Vietnam was notable for open access given to journalists ? too much, many critics said, as the war played out nightly in bloody newscasts ? the Iraq war may mark an opposite extreme: after five years and more than 4,000 American combat deaths, searches and interviews turned up fewer than a half-dozen graphic photographs of dead American soldiers.
It is a complex issue, with competing claims often difficult to weigh in an age of instant communication around the globe via the Internet, in which such images can add to the immediate grief of families and the anger of comrades still in the field.
While the Bush administration faced criticism for overt political manipulation in not permitting photos of flag-draped coffins, the issue is more emotional on the battlefield: local military commanders worry about security in publishing images of the American dead as well as an affront to the dignity of fallen comrades. Most newspapers refuse to publish such pictures as a matter of policy.
But opponents of the war, civil liberties advocates and journalists argue that the public portrayal of the war is being sanitized and that Americans who choose to do so have the right to see ? in whatever medium ? the human cost of a war that polls consistently show is unpopular with Americans.
By MICHAEL KAMBER and TIM ARANGO
Published: July 26, 2008
BAGHDAD ? The case of a freelance photographer in Iraq who was barred from covering the Marines after he posted photos on the Internet of several of them dead has underscored what some journalists say is a growing effort by the American military to control graphic images from the war.
JAN. 18, 2005 An Iraqi girl after her parents were killed by American gunfire in Tal Afar. More Photos ?
Zoriah Miller, the photographer who took images of marines killed in a June 26 suicide attack and posted them on his Web site, was subsequently forbidden to work in Marine Corps-controlled areas of the country. Maj. Gen. John Kelly, the Marine commander in Iraq, is now seeking to have Mr. Miller barred from all United States military facilities throughout the world. Mr. Miller has since left Iraq.
If the conflict in Vietnam was notable for open access given to journalists ? too much, many critics said, as the war played out nightly in bloody newscasts ? the Iraq war may mark an opposite extreme: after five years and more than 4,000 American combat deaths, searches and interviews turned up fewer than a half-dozen graphic photographs of dead American soldiers.
It is a complex issue, with competing claims often difficult to weigh in an age of instant communication around the globe via the Internet, in which such images can add to the immediate grief of families and the anger of comrades still in the field.
While the Bush administration faced criticism for overt political manipulation in not permitting photos of flag-draped coffins, the issue is more emotional on the battlefield: local military commanders worry about security in publishing images of the American dead as well as an affront to the dignity of fallen comrades. Most newspapers refuse to publish such pictures as a matter of policy.
But opponents of the war, civil liberties advocates and journalists argue that the public portrayal of the war is being sanitized and that Americans who choose to do so have the right to see ? in whatever medium ? the human cost of a war that polls consistently show is unpopular with Americans.
